Veteran Austrian director Lukas Feigelfeld, emerging from his last cinematic nightmare 'Hagazussa', teamed with Slater to shape an overarching visual concept for Lunng and its live show. The pair reached back into Lunng’s original compositional frame — those endless, half-mythic road trips — and pulled it into the present tense. What once felt like a private universe of clashing signals and backseat transcendence now passes through the windscreen of 2025, manifesting like a scorched vision of current times, an apocalyptic fever dream of endless roads leading into nothing.

Feigelfeld’s nightmarish filmwork for Heatsick draws on heavily processed dashcam footage scraped from the internet’s lay-bys, fusing it with surreal urgency through cutting-edge AI. The result stages a dialogue between the adolescent “if this track stops, so do I” imperative and the uneasy visual bandwidth of the current moment.

It urges you to submit into a headlong drift: memory and immediacy collapsing into a genre-agnostic, wrong-side-of-the-highway reverie — one eye in the rearview, one on the horizon.